This is an old lantern at a popular tourist destination.
Leica M (240) and 35mm 2.0
Have you every been to Newport Beach in southern California. There is a cluster of old buildings by the pier that have a fish market in the mornings. The buildings have been there for a very long time and are old and run down. Near the sign are some old vines and in the middle is this old lantern. It really is kind of hard to spot. A little Silver Effects Pro magic and here is today's post.
What a marvel of engineering. The camera that started it all for 35mm photography. This was the camera that is the most copied camera ever who's lineage can be traced to todays Leica M. I owned one for about 10 years. Truly a pocket camera.
Leica 1
I am in the process of switching to Capture One Pro 8 from Lightroom 6 so I thought I might explain why the change.
I have been using tethering software for digital cameras for a long time, long as in over 20 years. The first tethering software I used was made by Kodak and it was an acquire plugin for Adobe Photoshop. The cameras were the early Kodak DCS series cameras. I think the first model was the Kodak DCS 420 followed by the Kodak DCS 460. The Kodak 420 cost $28,000 and the Kodak 460 cost $32,000 and came with a Power Mac. Using those cameras was such a joy that I often tell other photographers that they were the reason that my hair is all white. The acquire module was accessed through Photoshop (version 3) and was a pretty simple affair. It was slow to capture and all you could do was view thumbnails and select images to open in Photoshop. After a number of years the switch was made to a Kodak 14n which was pull the Compact Flash card, put it in a reader and open in Photoshop.
After using the Kodak for too long the switch was made to a Nikon D3 and Lightroom tethering. Lightroom seemed to have the ability to know how important the individual I was photography was and could lock up at the worst possible moment. I have a very love-hate relationship with Lightroom. It is easy to use and has about 60% of Photoshop, but I have never been very happy with the quality of the output. It did the job and for most important stuff I use Photoshop anyway.
I have been aware of Capture Pro One for years but for some reason I never bothered to try the demo. Big mistake. I took my portfolio down off of my site and am redoing my portfolio and buying new lights so I thought it was a good time to look at my complete workflow. After a week of testing I have done 2 shoots and I have no plans on turning back. The difference is that dramatic. First off the purpose of tethering software is to be reliable and fast. Well 2 strikes against Lightroom in the at bat. Capture One Pro is so fast that it would be worth the change based on this feature alone. Not only does the image come up quickly, but I am also using the remote software so that art directors can view the images on an iPad as I shoot and that has already changed my shoots. To use this feature you just check a box to start a server and the images come up on an iPad or iPhone after downloading the free software from the Apple App Store. Then people can view and rate the images as you are shooting. No more crowding around the monitor. On my first two shoots I have taken less than 50% of the images that I normally take. The clients have been saying "you got it" a lot faster.
The raw converter that Phase One has built into Capture One Pro make the image seem more alive. The images I get out of Lightroom are nice but these images just seem to have a little extra sparkle. Yes the program requires a little bit of adjustment because everything is in a different place but just spend a little time in the program and it is easy to pickup what tab has the setting you want. The ability to overlay an art directors layout over the top of an image will also give you more confidence when shooting. This is especially helpful when the photo and the image have to work together to tell a story. Capture One Pro is not a clone of Lightroom or Apple's Aperture, it has it's own style.
I have a lot of time invested in Lightroom and Photoshop but it is clear to me that for tethered shooting I am going to switch to Capture One Pro. It is a stable and well thought out program. I have been shooting tethered for so long I definitely have opinions on how it should be done, and yes I might change a few things, but this is the tool for the job. Now I need just a couple of licenses to get me going.
Guess the next step is to check out the Phase One cameras.
See previous post for description.
Leica M (240) and 35mm 2.0
This was taken at the Mildred E. Mathias Botanical Garden on the campus of UCLA.
Leica M (240) and 35mm 2.0
If you are a Nature or Macro photographer this garden is worth a visit. It is tucked away in the corner of the UCLA campus on the west side of Los Angeles. My wife took her macro equipment and took hundreds of images and got some real keepers. This place is a real gem and is a great break from the hustle and bustle of the city.
Photograph of a sculpture while driving by at night.
Running Man
This is direct out of camera. I never got an image like this from film. Film has it's place, but I will neve go back. This image is what I like to say with my photography. It has become so easy to just record an image that when you can interpret a scene to show more than what was there it seems like it is a more successful image.
Just a wonderful day on the pier.
Leica M (240) with 35mm 2.0
Nice image with repeating elements. Both subjects looking the same way. The bottles and the purse hanging down. The group in the background mirrors main subject. Also like the glowing bottles on the ends. Notice the small blue cap on the left bottle.
This image was made at Paramount Studios during Paris Photo LA.
Leica M (240) with 35mm 2.0
This was taken while walking around the back lot of Paramount Studios. The blinds couldn't be at a better angle if I had set them myself. The image doesn't have the same impact when cropped for just the window. For the image to succeed the surrounding brick needs to be seen. The image feels like strict geometry surrounded by chaos .
Some fantastic work by a photographer who should receive more recognition than he gets.
Fred Herzog
I really enjoyed the show " Light, Paper, Process : Reinventing Photography " that is currently running at the Getty Center in Los Angeles. The show isn't about photography so much as it is about creative work done with the photographic process. I especially found interesting the prints from 100 year old film that was recently developed and printed. The images were very moody. I also kept going back to the color prints that had the emulsion scrapped during and after processing. Made me think of the work of Gerhard Richter. Modern photography can be so repetitive that much of this work seemed more alive. A very good show. The exhibit runs through September 6.
Light, Paper, Process