Photography - An Image with Purpose

Bolsa Chica Ecological Reserve

Bolsa Chica Ecological Reserve

The image above is not supposed to work. There is no strong point of interest. The gray scale only extends to about a middle grey. The blacks lack detail. No highlights. No specular highlights. 

 

Photography has has changed so much since I started in the 70’s. Strong vibrant colors were expected. Black and white images were expected to have a tonal range from deep black to whites that showed detail. I attended a photography program and a well exposed negative was the most important part of the image making process. From there a final print with a wide tonal range was exhibited. Composition was rigidly taught. But somewhere clinical photography started to fade away in my personal work.

 

My image above has lots of mood. Leading lines are there for composition but they don’t lead to a defined subject. The light gap at the end of the walkway is a compositional element that is indifferent. The side rails are void of detail but you look for detail anyway. The wet planks that are walked on are not well defined, almost having an ethereal presence to them. Notice the faint grey band where the horizon should be giving depth to the image. The two dark circles at the right edge of the shoreline. What are they? Notice the “V” that extends into the shoreline and how it mirrors the walkway. No ripples in the water enhance the feeling of solitude. Without ever being there you know that there was complete silence when the image was made. The shutter being activated was the only sound. 

 

Look at some of your recent images. How do they “feel”. Did you have a purpose for the image. What are you trying to say. So much imagery in the world that has nothing to say. Look deeper into yourself. Express what is inside.  

Photography Book of the Year 2017

This was a great year for photography books. I purchased more photography books this year than any year since I started in photography. The quality of books from the smaller presses is unbelievable. These are my favorite books that have a bias toward street photography but some are not strictly street photography books. At the end is my book of the year. It is a reprint from the 1980's and just might be my favorite photography book of all time.

Susan Bernstine Absence of Being

Susan Bernstine Absence of Being

Susan Bernstine

This book was published in 2016 but was not widely available until this year. Fantastic Art photography. She makes her own cameras. 

Henri Cartier-Bresson Interviews

Henri Cartier-Bresson Interviews

Henri Cartier-Bresson

Thoughts on photography by the master of street photography.

Teju Cole Blind Spot

Teju Cole Blind Spot

Teju Cole

Possibly the most popular writing about photography this year.

Alec Soth Sleeping by the Mississippi

Alec Soth Sleeping by the Mississippi

Alec Soth

A reprint but one the best books of the last 20 years.

Nancy Rexroth Iowa

Nancy Rexroth Iowa

Nancy Rexroth

Holga photos taken in Iowa and throughout the midwest. It's great that this work is back in print.

Ernst Haas Color Correction

Ernst Haas Color Correction

Ernst Haas

Fantastic color work from the golden age of Leica photography.

Provoke Between Performance and Photography

Provoke Between Performance and Photography

Provoke

Japanese street photography from the 1960's.

Jack Spencer This Land

Jack Spencer This Land

Jack Spencer

Street and scenic views of America.

FAN HO Hong Kong Yesterday

FAN HO Hong Kong Yesterday

Fan Ho

Incredible Photography. If you are a street photographer this is the kind of work to aspire to.

Gene Smith's Sink

Gene Smith's Sink

Sam Stephenson

The story of a photographers photographer.

Masahisa Fukase Ravens

Masahisa Fukase Ravens

Masahisa Fukase

This is my vote for the best photography book of 2017. First printed in the late 1980's it has been reprinted but always sells out quickly. Grab this while it is available. It is a book of mostly bird photos but that description is misleading. There is so much emotion in this book. Sadness, Solitude, Loneliness. Your images should strive to connect with the viewer, this book does it masterly. A classic collection of images, maybe the best of the last 50 years.

Large Format Photography

How’s this for an example of the evolution of photography. On the left is an image taken with a Sinar 8 X 10 studio view camera and on the right is an iPhone 8.  

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I used to love shooting with my Sinar. I had an 8 X 10 model that also had a 4 X 5 back that I could switch to when shooting “small” format. With the 8 X 10 the standard lens was a 300mm and for the 4 X 5 I used 3 lenses, a 210mm short telephoto, 150mm normal, and a 90mm wide angle. The controls on a Sinar are so precise it is like using a medical device. Photographing with a view camera makes you use different switches and gears in your head. The image is upside down and reversed and you hold a dark cloth over your head to see the image and focus. A small lupe is held up to the ground glass for focusing. Quite different to the autofocus cameras of today. The sheets of film were loaded in complete darkness into the film holders. The film had notches that had to go into the correct corner to ensure the film was loaded properly. When I started in the studio we had hot lights so I had to deal with long exposures and I had to use gels to correct the lights to the film color balance. Later I switched to Broncolor studio lights which made life a lot easier. Shooting large format cameras in the studio is a lot of work. High end product work is difficult but can be creatively and financially rewarding. I do miss the old days of photography. I have so much knowledge from this era that has little use today. I would love to shoot or teach how to use Sinar cameras but there seems to be little demand for this kind of work. Not every aspect of film photography was the best especially when considering the cost, quality and time when compared with the digital workflow but I still miss those days. 

 

Tenba Tools Reload Battery Pouch

These days I'm carrying two Leica's on my travels. I shoot with a Leica M(240) and a Leica M10. Shooting with two cameras allows me to leave the 50mm on one camera and the 35mm on the other. I seem to have the wrong lens on all the time. Back in the days of film I used to shoot with a black M6 loaded with black and white film and a chrome M6 loaded with Kodachrome. Shooting with two cameras has always been my operating procedure. 

Tenba Reload Battery 2 Pouch

Tenba Reload Battery 2 Pouch

With digital the need for spare batteries is a must have. Unfortunately the Leica's take two different size batteries. Since the batteries always seem to migrate to the bottom of my bag and unless you check them close when changing batteries it is easy to try to put the wrong battery in a camera. I have found a battery pouch that solves my problem. It is called the Reload Battery Pouch by Tenba. I think they are designed for the standard size batteries that Nikon and Canon use but they are perfect for the M series Leica's. I have purchased two pouches and use one for the M(240) and one for the M10. The batteries fit perfectly. The are made of nylon and have velcro on the front to keep the cover closed. On the back there is a velcro strap to attach the pouch to a belt or the camera bag strap. There are also "D" rings for attaching to an optional lanyard. The Reload battery pouches come in single and double battery sizes. Nice and sturdy workmanship and they are only about $12 each so the don't break the bank. As I was searching for a case for my batteries I came across companies that made similar cases made out of leather. Kinda nice looking but no way was I going to pay $75 for leather. 

Tenba Reload Battery 2 Pouch

Tenba Reload Battery 2 Pouch

I have color coded the pouches for easier identification and that makes choosing the correct pouch when I want to travel light with just a camera and batteries easier. I highly recommend these little pouches. 

Tenba Reload Battery 2 Pouch

Tenba Reload Battery 2 Pouch

Ona Bag Review - Ona Brixton

Well I guess one Ona Bag just wasn't enough. After purchasing a Prince Street messenger bag and being completely satisfied I went looking for a reason to get another Ona Bag. Mission accomplished, I just picked up a Brixton Bag.

The Brixton by Ona Bags

The Brixton by Ona Bags

Ona's Brixton bag is a step up from their Prince Street that I already own and love. The leather Brixton comes in Antique Cognac, Black, and Dark Truffle. The standard colors are Smoke, Black, Field Tan, and Black Nylon. The specifications are below:

  • Exterior dimensions: 13.5"L X 10.5"H X 5"D
  • Interior dimensions: 13"L X 9"H X 5"D
  • Weight: 4.1 lbs
Ona Bags Brixton (back) and Ona Bags Prince Street (front)

Ona Bags Brixton (back) and Ona Bags Prince Street (front)

Brixton on left, Prince Street on the right

Brixton on left, Prince Street on the right

I have included photos of the Prince Street and the Brixton side by side to give you some idea of the size difference. The Brixton is just a little taller and wider. 

Brixton end pocket

Brixton end pocket

The end pocket on the Brixton is larger than on the Prince Street. Large enough for an iPhone 7, which fits comfortably in the pocket. 

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The back is as beautiful as the front. Notice the lump on the back flap, there is a magnet to keep the back closed. The carry handle is a loop that is attached to the center of the back. On the Prince Street it is a detachable strap that goes the length of the bag.

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Detail of the back.

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The bottom of the bag has lots of stitching for durability and is very well padded.

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You can put a lot of gear inside of the bag. Multiple cameras and lenses. There are also plenty of pockets for accessories.

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The computer section is designed for a 13" MacBook. It has padding all of the way around. This is my iPad Pro 9.7".

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Adjustable brass snaps to keep the cover secure. No plastic, only strong brass. They are easily operated with one hand.

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Brass receiver for the snap.

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Large front pockets for the extras. The are deep and really hold lots.

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Ear flaps to keep out the elements.

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The shoulder pad can be adjusted for fit. These take a little while to break in, then they mold to your shoulder.

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Just look at the room. Two bodies and four lenses and room for more.

Ona has done it again. A bag that can carry all of your gear but still has a small footprint. The leather Brixton sells for about $440. A little expensive but it is a fair price for a bag with this much room and plenty of padding. Highly recommended.

match Technical Beep Soft Touch Review

I always use a soft touch release when I shoot with digital or film Leica's. I like the feel and I find that slower shutter speeds are possible.

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Beep

BEEP-O-L Black

The BEEP is going to be attached to my Leica M10. Match Technical makes various sizes and styles of soft touch releases. The BEEP O model has a convex top that has a matt finish. The BOOP O has a concave top. They also come in threads that are long or short. The O in the name is for the O-ring that is attached just below the top. The O-ring compresses when you attach it to give a nice tight, secure fit. 

O-S: with short thread for Leica M-E, M9 Monochrom, M240, M246, M262

O-L: with long thread for the Leica M3, M4, M6, M7, M8, M9, M10

Beep 
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I really like the look and feel of the Beep. It has a nice soft touch and makes for a smooth release. They have other gizmos for Leica's that I should look in to. Highly Recomended.